Out There

One of my clear memories is a sort of feeling of release and relaxed bliss.  At some point I seem to fill up with awe at what surrounds me and the fact that I am able to be there.  There’s usually a big sigh and a feeling of peaceful contentment to follow.  Joy!

What am I rambling on about?

It’s how I sometimes feel when I’m out in the wild landscape.  Here, in Tasmania we have some wonderful bushwalks that take us out among the mountains, rivers, a multitude of various types of landscapes.  It’s where I love to be!  Even better if I can stop to sketch (an artists’ equivalent of smelling the roses!).  You may have seen the photos in the last Studio News.

These works are the beginnings of a new series – “Out There.”  It’s a broad theme which leaves my options wide open.  What will develop as I find my way around the ideas? Where will I be led?  Perhaps, in future series things will narrow down a bit and be more specific.

(This first layer could be titled “Into the Blue”! (I got carried away using my new painting wedge.) There’s a lesson there, but I’m not sure what it is? It’s either go slow, or don’t? Things can work out either way it seems.)

These photos show the first layer for two of the paintings.

(I decided to let this one be more random!)

Where to next? Sky shapes were used to define the mountain range. Later, I added more white to the sky.

I felt the urge to draw into them rather than add too much more paint. So, out came the Neocolour II crayons that I’ve had for ages awaiting this precise moment! (They haven’t inspired me much before, so we’ll see how this goes.)

(This is the painting from above after I had a little play with the Neocolours.)

There are five of these long ones (70×30cm) in the group. They’re great to just wander up to, make a few marks and wander off again. That’s one of the benefits of drawing materials … ease of use!

Is this one done yet? Perhaps!?

New Work

“Genesis” is now available on Bluethumb.

“Genesis” 54.5cm wide x 56.5cm high

Until next time and ….. as the sign someone was holding up in our street this week said …… “Keep your chin up”.

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Keeping the Momentum

Happy New Year to you all!  Let’s get into 2022.

A couple of post Christmas bushwalks in our Southwest National Park have inspired me with their fantastic scenery.  We walked up Clear Hill and then into Lake Judd a few days later.  They’re opposites scenery wise so I have a variety of influences floating about in my mind.

(Amazing conglomerate rockforms on the way up Clear Hill)
(The birth of the Anne River at Lake Judd with the Eliza Plateau behind.  We contemplated the possibility of floating down the river instead of walking back!)

Whilst these photos show the wonderful scenery I’m not aiming to paint realistically.  Rather, my aim is to bear in mind the visual forms and textures, the feel of the place and my emotional reactions.

(The hills on the way to Lake Judd.  The area was burnt about three years ago.)

Ok, enough of that.  Let’s get started on the painting!

I thought I’d show you some progress shots of a couple of paintings from a current group of seven. They’re based on memories of the above plus bits and pieces I like about “Switchback” (below).

Somehow, I’ve ended up with two different styles in this group!  (Your guess is as good as mine as to why?!)

This first one was painted over a previous non-starter (below).

(Starting point – I thought it should work well because the palette is the same.)

As you can see in the photo below, I’m well into these paintings.

First, I created the hill shapes, then I thought scumbling or glazes might be a good way to go. A bit of lifting off opened things up. I scumbled the sky with layers of white and blue, trying to make it interesting, not too flat. Adding some new colour on the hills seemed a good idea and a “lake” began to appear.

(Stage 1)
(Stage 2)

In the version shown above acrylic ink was added to the foreground. It seems a bit too samey though, so, in the next photo (below) you can see I’ve lifted off paint to lighten some areas. I also darkened parts of the foreground to create more contrast. Almost there I think. Just wondering about lightening more areas on the foreground.

(Stage 3)

Now for the other style. It’s a bit more intuitive and abstracty but still with landscape shapes.

I managed to pull this out of the random starting marks!

(Stage 1)

I felt the stage above needed more colour so I’ve added raw sienna and turquoise inks (below) plus I attacked the sky and painted over some of the drips.

(Stage 2)

I then added warm colour in the white areas but it’s not feeling finished yet. I’m still feeling uncomfortable with that light square even though it’s smaller. Can that sky do with lightening too?

(Stage 3)

A couple of the paintings in this group are tentatively finished, but I like to wait a bit in case I see things to fine tune. Some paintings say “I’m done” quite quickly while others take their time.

It’s time to think of the next challenge.

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Click here to find out about EXHIBITIONS I currently have work in.

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