This blog draft has been hanging around for a while and today I thought, “just do what it recommends!”

It’s been a while between blogs and my biggest fan recently asked me what’s been happening! I told her I’m not sure whether to continue or not. Is “it” about the process of making art or composing blog posts? I tend towards making art and not blogs really. We’ll see.

Anyway, to the subject at hand.

Is it always a good idea to throw caution to the wind?

Is it much different to being out of control?

Perhaps you knowingly venture into these new areas. You explore them with more purpose and thought. They aren’t just foisted upon you, directionless, aimless and far too wide ranging to be of real use. It’s been said that exploration with limits is more productive and beneficial. I’m not sure, especially in the early stages.

In favour of the case for throwing caution to the wind the following examples are offered.

Some new toys arrived, two rubbery wedges! Ideas for using them on Google seemed samey and unexciting, so a decision was made to just slap some paint down on the paper and move it about, a large sheet of paper, to allow for maximum chance of some form of success. You can happily scrape and spread paint with large arm movements. It seemed to be using a lot of paint though, but I kept going as some rather lovely marks were happening. The soluble graphite crayon and a spiral stamp got a look in during the creative fenzy too!

It soon became obvious that you need to stop before you make a big muddy mess. Several large pieces of paper later it suddenly dawned on me … what do you do with them next. “Think about it” I thought …… Nope, no ideas were forthcoming. So, with some white paint on it, my brush followed wherever the lines and forms within the image took me. The exercise revealed a landscape, “Ok, we can work with this!”

Throughout my art adventure there have been several memorable points where I seemingly threw caution to the wind. One of the earliest, would be trying a new style of sketching. Previously referred to in Drivepast Sketching – Our Journey Begins. It was well worth the experiment. From very early on I “knew” that it was going to lead me somewhere new. There was no indication of where, but you could feel it.

This is what turned up, sometime later (below). It’s a mingling of the sketches with things that happened elsewhere. It turned these sketches into something more, something different and that wouldn’t have happened without the decision to sketch differently.

Can you see how these feed into the long narrow wedgy piece created subsequently (above)?

Another early experiment uncovered a way to compose images using the markings on Richea Pandanifolia leaves. (It’s a native plant here in Tasmania and grows at higher, colder altitudes. Look it up and you’ll see why I like it.) Well, this wasn’t an experiment as such initially, more of a stumbling! There were lots of photos of these leaves spread out, a jumble of photos on the table, all overlapping and arranged randomly. Could some of these be compositions to use? Or, could the idea be explored further to find compositions? Or both? It was a completely new idea for me and, the first radical move away from traditional landscapes.

I tried it and really enjoyed the process of finding compositions, creating the art and, luckily, I liked my creations. Another similar coloured pencil painting, “Richea Pandanifolia in Focus” features in the first issue of Studio News.

The painting below, “The Landscape Within” is a further development of the theme. I’m wondering now if this idea will come back and take me on another journey. The markings on these leaves are very abstract. Mmmm…..!

Back to the wedges. Putting paint directly onto the painting surface from the tube often results in too much paint to handle. What to do? Oh well, scrape it off? No, it’ll turn to mud! What to do with it then? Why not just slap another sheet of paper on top of it, like a Rorschach image, and see what happens? So I did. It was so insignificant at the time, there are no photos, but this is the result. A little thought, turning it upside down, more mark making and finding the skyline and “Veil” was there (below). It won an award and sold earlier this year!

Sketchbooks are another place for experimentation and play. You can do whatever you like and no one ever needs to see it. Recently, on a trip away, I played with sketching as quickly and as minimally as possible. On the same trip I decided to do sketches one on top of the other. Whether these sketches will lead anywhere remains to be seen.

Not to forget the case against.

It’s not always pretty folks and it can be soul destroying, if you let it. There have been many times when experiments have led to abandoning ideas and pieces of paper in the bin, or even in the fire! Some might be kept for collage fodder or for working over later. Sometimes, though, binning a piece is the most sensible way to go. Best if you never see it again!

The lack of success as you explore new things can, at times, sap your enthusiasm and inspiration. There have been periods where I lacked both. It can be distressing, to say the least. So, you may think it best not to risk throwing caution to the wind and having an experimental “go” at things. Stick with what is working, what is comfortable.

But, that too can feel uncomfortable, for we all want to move our art forward. Maybe, there are smaller steps we can take, rather than going in boots and all. And those small steps, more often than not, lead us to working with more abandon, and more success! As far as reuse of discarded pieces goes, often, when you reuse them you are far more likely to “throw caution to the wind” and have a really good go at it.

We just turned the case against into an arguement for telling ourselves, “what the heck” and going with the flow! “Genesis” (below) is a result of just that.

Throwing caution to the wind can be easier in some circumstances than others. It also depends on your mood, but I reckon it’s a habit worth developing. You never know where it will lead and as I’ve found, even your worst pieces can be used to get you into that free state of happy playful creativity.

I wish you heaps of happy and successful creating!

If you would like to view the work I have available please go to Bluethumb.

You can always see what I’m up to at Wendy Galloway Art on Instagram or Facebook.