Get Positive, Throw Caution to the Wind

This blog draft has been hanging around for a while and today I thought I might just do what it recommends!

It’s been a while between blogs and my biggest fan recently asked me what’s been happening! I told her I’m not sure whether to continue or not. Is “it” about the process of making art or composing blog posts? I tend towards making art and not blogs really. We’ll see.

Anyway, to the subject at hand.

Is it always a good idea to throw caution to the wind?

Is it much different to being out of control?

Perhaps you knowingly venture into these new areas. You explore them with more purpose and thought. They aren’t just foisted upon you, directionless, aimless and far too wide ranging to be of real use. I’ve heard it said that exploration with limits is more productive and beneficial.


In favour of the case for throwing caution to the wind the following examples are offered.


Some new toys arrived, two rubbery wedges! Ideas for using them on Google seemed samey and unexciting, so I decided to just slap some paint down on the paper and move it about with them. To allow for maximum chance of some form of success I used a big sheet of paper. It means you can happily scrape and spread paint with large arm movements. It seemed to be using a lot of paint though, but I kept going as some rather lovely marks were happening. My soluble graphite crayon and a spiral stamp got a look in during the creative fenzy too!


It soon became obvious that you need to stop before you make a big muddy mess. Several large pieces of paper later it suddenly dawned on me … I had no idea what to do with them next. “Think about it” I thought …… Nope, no ideas were forthcoming. So, I set out with some white paint on my brush to follow wherever the lines and forms within the image took me. The exercise revealed a landscape and I thought “Ok, I can work with this!”


Throughout my art adventure there have been several memorable points where I seemingly threw caution to the wind. One of the earliest, I think, would be trying a new style of sketching. I’ve previously referred to it in Drivepast Sketching – Our Journey Begins and it was well worth the experiment. From very early on I “knew” that it was going to lead me somewhere new. There was no indication of where, but I could feel it.


This is what turned up, sometime later (below). It’s a mingling of the sketches with things that happened elsewhere in my art. It turned these sketches into something more, something different. It wouldn’t have happened if I hadn’t decided to sketch differently.

Can you see how these feed into the wedgy piece I painted later (above)?


Another early experiment uncovered a way to compose images using the markings on Richea Pandanifolia leaves. (It’s a native plant here in Tasmania and grows at higher, colder altitudes. Look it up and you’ll see why I like it.) Well, this wasn’t an experiment as such initially, more of a stumbling! I had lots of photos of these leaves and I’d spread them out to find what I liked best. The process was a jumble of photos on the table, all overlapping and arranged randomly. Could some of these be compositions to use? Or, could the idea be explored to find compositions? Or both? It was a completely new idea for me and, I think, the first radical move away from traditional landscapes.


I tried it and really enjoyed the process of finding compositions, creating the art and, luckily, I liked my creations. Another similar coloured pencil painting, “Richea Pandanifolia in Focus” features in the first issue of Studio News.

The painting below, “The Landscape Within” is a further development of the theme. I’m wondering now if this idea will come back and take me on another journey. The markings on these leaves are very abstract. Mmmm…..!


Back to the wedges. Putting paint directly onto the painting surface from the tube often results in too much paint to handle. What to do? Oh well, scrape it off? No, it’ll turn to mud! What to do with it then? Why not just slap another sheet of paper on top of it, like a Rorschach image, and see what happens? So I did. It was so insignificant at the time that I didn’t take photos, but this is the result. A little thought, turning it upside down, more mark making and finding the skyline and “Veil” was there. It won an award and sold earlier this year!


Sketchbooks are another place for experimentation and play. You can do whatever you like and no one ever needs to see it. Recently, on a trip away, I decided to sketch as quickly and as minimally as possible. On the same trip I decided to do sketches one on top of the other. Whether these will lead anywhere remains to be seen.


Not to forget the case against.

It’s not always pretty folks and it can be soul destroying, if you let it. There have been many times when experiments have led to abandoning ideas and pieces of paper in the bin, or even in the fire! Some might be kept for collage fodder or for working over later. Sometimes, though, binning a piece is the most sensible way to go. Best if you never see it again!


As far as reuse goes. Often, when you come to reuse these abandoned pieces you are far more likely to “throw caution to the wind” and have a really good go at it.

We just turned the case against into an arguement for telling ourselves, “what the heck” and going with the flow! “Genesis” (below) is a result of just that.


Throwing caution to the wind can be easier in some circumstances than others. It also depends on your mood, but I reckon it’s a habit worth developing. You never know where it will lead and as I’ve found, even your worst pieces can be used to get you into that free state of happy playful creativity.

I wish you heaps of happy and successful creating!

If you would like to view the work I have available please go to Bluethumb.

You can always see what I’m up to at Wendy Galloway Art on Instagram or Facebook.

How to Feed Your Creative Beast

There are many ways. Some artists express their emotions, some explore political or social views. For others it’s nature – living creatures of all sorts, botanical, geographical, meteorological. Still others are into representing humans in all their pictorial glory or perhaps still life. You must to find your own authentic muse and cultivate it.

So, how does that and fill your creative well with inspiration and enthusiasm? We all know that feeling of seemingly having nothing, absolutely nothing, that feels like our “thing”. It’s soul destroying to say the least.

Has our muse left us to our own devices? A scary proposition for some no doubt. I’ve been in that place more often than I care to remember. However, these days I seem to have reached a place where there are a reasonable amount of creative ideas waiting to be born. Fingers crossed it stays that way!

How do you do it? Does it just happen? Is it a struggle or can it come easy?

Firstly, it isn’t a struggle. Trying too hard won’t help. And no, it doesn’t just happen. It can come easily though, well, easier than you think! There are some things that can get in the way however …. perfectionism or waiting for the “right” thing or time. Better to experiment! Try things, have fun and enjoy the journey to your creative energy.

As a landscape inspired artist who also bends to the whims and wishes of my “art”, I fill my creative well as I create art. Each piece or series of pieces leads me forward. I find new inspiration and ideas in almost every piece of art I make, be it a painting or sketch. Even if the inspiration arises from a disaster!

The other way I find my muse or muses is to venture out into the landscape. Feel it, be in it, experience all that goes on. While there, I will sketch and ideas will begin to present themselves. There’s also photography, like the shots you see above. It allows you to visually capture your surroundings. What it does not do is help instil the whole experience of being IN the landscape like painting or sketching does. Even a quick scribble sketch can do that. Perhaps they capture the feeling best of all because they’re often done quickly and the marks are made with speed and abandon.

Sketches are a great way to refill your empty creative cup. The act of making a sketch or painting en plein air can be exhilarating and set your mind on track to plenty of creative ideas.

To summarise, immerse yourself in your artmaking and follow your intuition, it will lead you to your creative power.

See my new work on Bluethumb (below).

“A Rock and A Hard Place” 20cm wide x 24.5 high
“Within the Boundary” 40cm square

Subscribe here to receive fortnightly issues of “Studio News”.

Click here to find out about exhibitions Wendy currently has work in.

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Using Loss of Control to Your Advantage

It occurred to me recently that, not only is the painting of each piece of art out of my full control, but, so is the whole adventure. No longer do I, or can I, plan what a painting might look like.  Neither, can I plan where I’m headed on this journey in the short or long term!

Firstly, the act of painting.

I’ve been “planning” a couple of things. One is, to mix some more original colours before I start and make the paintings more authentically mine.  Also, I’ve had lots of ideas for design starting points.  I seem to collect heaps of them for just this purpose! 

But, it just doesn’t happen folks.  The gear is laid out, the paper ready and in I go, with minimal, if any, thought of my plans, loose as they may be.  Stuff just happens, as it did in the first stage of the painting above, leaving me with the job of deciding what “it” wants and following the leads.

At this next stage, below, I’ve collaged on some paper, some of which is thickish handmade paper. I’m wondering if it’ll last the distance? But, hey, I’m not in charge, so who cares.

I pressed on with it, feeling both out of control and excited.

It seemed like a good idea to digitally explore the possibilities so I used a photo editing app to play about with the paintings. Using the “whiten” feature I designed various sky shapes. Two variations are shown below.

I ended up with heaps of options! Which to choose!?

Below, I’ve painted the first layer of white paint for the sky shape of the selected option. Then, it tells me, “fix” that big blue bit at the bottom.

So, I did that, but still not happy …. it needs a little something?

It’s only minor but I added some graphite outlines and emphasised others. But! It’s still out of control! I can’t seem to “like” it enough for it to be finished. Not sure it should even exist! (It may be the first layer of something else.)

So, you can see, there really isn’t any way to control where a painting will finish up when working like this. There may be more to do on this one, or it might be painted over. These developments, however, inevitably lead to new ideas and discoveries, both welcome and unwelcome!

Secondly – overall plans for the year.  I made a few in some areas, such as a small list of themes or “subjects” to tackle!?  But, you guessed it.  We’re not on track there either. We’re off somewhere looking for something else, with no idea what it is!

Now, to be fair to plan making, my art and I are heading in the general direction that I planned. I’m making art and moving forward with associated stuff. It’s just that our route is taking us on a few unforeseen deviations along the way.  It makes for a more interesting trip. Who knows where we’ll finish up!

Do you suspect, as I do, that art might be different to a lot of other things, in that all this change and redirection of effort can successfully be allowed to happen? It can lead you to the unknown but pleasing goal you didn’t know you had!  The one you were not obliged to achieve.  And along the way you created paintings that you didn’t know you were going to paint.

New Paintings

Here are two new pieces that have been listed on Bluethumb.  Click the images for more information.

“Shardonnay Mountain” 71cm wide x 67cm high
“Stay Cool” 68cm wide x 66cm high

Subscribe here to receive fortnightly issues of “Studio News”.

Click here to find out about exhibitions Wendy currently has work in.

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Two Ways You Can Influence Yourself

During a recent break from social media I thought about what my free time was bringing to my creativity.  A wandering mind is a curious thing.

This photo and the compilation image of four sketches below it are from a recent wander at Mt Field National Park. Lots of inspiration and influence up there!

The first thing I noticed about my social media break was that all the stuff I didn’t see wasn’t influencing my art.  Fair observation I guess, even if rather obvious!

The good thing about that observational gem is that I found myself being influenced by my own work.  (It’s a never ending circular type phenomenon …. if you let it happen.)  I was forced to think more within myself.  Solutions and ideas weren’t available at the click of a button, nor were they offering themselves uninvited on my screen.

Images such as the one below provide real life influences. These Pencil Pines (Athrotaxis cupressoides) are listed as vulnerable because their population is decreasing.  I love their form.  Even the dead ones are inspiring. Look at how those plants in the foreground are hugging the rock.  There’s a feeling of desperation.)

Something else I do is encourage or allow inspiring “what if?” thoughts to turn up.  They’re related to my art on the whole and often provide me with an exciting new direction to explore.  Sometimes, it’s just an intuitive feeling that “something” is going to come, soon, if I just let it happen. With more free time the “what ifs” began to turn up more often.

What if I throw down some collage before I start my plein air sketch?  So I chose some collage paper I thought was suitable and glued it down.  The “what if” became a “wonder if”. I wonder if this idea will take me somewhere new?

What if I draw as I’m walking along the beach? Literally …. because there’s little to trip over! And, what if I overlap the drawings? “Salty” the duck was doing her own “what if”. She was foraging for food in the wet sand at the waterline.

What if by the end of my break away from looking at the screen, I am able to breakaway from some of the stuff that often keeps my art predictable?  (From my point of view at least.)  What if it feels more authentically mine?

A “what if?” is by nature something new that you haven’t thought of or done before.  So, presumably, it could lead you somewhere you haven’t been yet.

Amazing how more time and quiet, subconscious, consideration can put a spark in your thoughts and your art! 

New Work

Here are several new pieces that have been listed for sale on Bluethumb. Click the images for more information.

“Verdant” 68cm wide x 71cm high
“Romp” 71cm wide x 68cm high
“On the Face of It” 66cm wide x 67cm high
“Forces at Play” 98cm wide x 68cm high

Subscribe here to receive fortnightly issues of “Studio News”.

Click here to find out about exhibitions Wendy currently has work in.

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