Two Ways You Can Influence Yourself

During a recent break from social media I thought about what my free time was bringing to my creativity.  A wandering mind is a curious thing.

This photo and the compilation image of four sketches below it are from a recent wander at Mt Field National Park. Lots of inspiration and influence up there!

The first thing I noticed about my social media break was that all the stuff I didn’t see wasn’t influencing my art.  Fair observation I guess, even if rather obvious!

The good thing about that observational gem is that I found myself being influenced by my own work.  (It’s a never ending circular type phenomenon …. if you let it happen.)  I was forced to think more within myself.  Solutions and ideas weren’t available at the click of a button, nor were they offering themselves uninvited on my screen.

Images such as the one below provide real life influences. These Pencil Pines (Athrotaxis cupressoides) are listed as vulnerable because their population is decreasing.  I love their form.  Even the dead ones are inspiring. Look at how those plants in the foreground are hugging the rock.  There’s a feeling of desperation.)

Something else I do is encourage or allow inspiring “what if?” thoughts to turn up.  They’re related to my art on the whole and often provide me with an exciting new direction to explore.  Sometimes, it’s just an intuitive feeling that “something” is going to come, soon, if I just let it happen. With more free time the “what ifs” began to turn up more often.

What if I throw down some collage before I start my plein air sketch?  So I chose some collage paper I thought was suitable and glued it down.  The “what if” became a “wonder if”. I wonder if this idea will take me somewhere new?

What if I draw as I’m walking along the beach? Literally …. because there’s little to trip over! And, what if I overlap the drawings? “Salty” the duck was doing her own “what if”. She was foraging for food in the wet sand at the waterline.

What if by the end of my break away from looking at the screen, I am able to breakaway from some of the stuff that often keeps my art predictable?  (From my point of view at least.)  What if it feels more authentically mine?

A “what if?” is by nature something new that you haven’t thought of or done before.  So, presumably, it could lead you somewhere you haven’t been yet.

Amazing how more time and quiet, subconscious, consideration can put a spark in your thoughts and your art! 

New Work

Here are several new pieces that have been listed for sale on Bluethumb. Click the images for more information.

“Verdant” 68cm wide x 71cm high
“Romp” 71cm wide x 68cm high
“On the Face of It” 66cm wide x 67cm high
“Forces at Play” 98cm wide x 68cm high

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Click here to find out about exhibitions I currently have work in.

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Art is a Fickle Business

One minute you’re all set to race off in one direction then, something new shows up.  Don’t get me wrong though.  It’s is not a bad thing!

Limiting myself or my art to a particular style seems counter-productive. There”s way too much to do and that’s without any new ideas or discoveries that come up.  The enthusiasm would wane if I imposed limitations on style. I need to be able to take full advantage of unplanned, random “opportunities”.

(“Play things” with a license to be fickle!)

While working on this issue of Studio News, an example of how things can change unexpectedly emerged.

I was processing progress photos of the day’s work and some needed rotating. It turned out that one was better upside-down! In my eyes at least! In the group of four progress shots below you can see the difference. I guess we’re conditioned to see land as darker than sky most of the time anyway.

(Stages 1 to 4 of a current exploration.)

As I pondered, my mind went off on a tangent, automatically brainstorming, the implications and possibilities, as well as how to resolve this painting? This change of direction (literally!) might see me veer off on yet another exciting tangent. I don’t know yet, but I can feel “something”.

It was only a minor fickleness episode but it could change the course of this painting and my art generally. Who knows! It’s a big adventure.

Another painting in the series has shown me something else to investigate. Layer one didn’t cut it, nor did layer two. So I plastered some 3 in 1 paint over the whole shebang. Now I have a background that I really like and it’s asking for something. I don’t know what. It’ll be a waiting game I suspect. An incubation period. Another adventure.

(Layers 1, 2 and 3, top to bottom)

Sometimes, it really is difficult to know what to pursue and what to forget. I think the only way to cope with all this fickleness might be to act on impulse. You know, those sudden intuitive directives that say “just do this, or that” or “what if we do this?” Be impulsive and fickle right back, test the fickleness, use it. Trust your judgement and intuition. Don’t be predictable. Instil a little adventure and excitement into the process and let it show.

New Work

“Trackwork” and “Swell” are now listed on Bluethumb

“Trackwork” 40cm wide x 28cm high
“Swell” 68cm wide x 25cm high

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Out There

One of my clear memories is a sort of feeling of release and relaxed bliss.  At some point I seem to fill up with awe at what surrounds me and the fact that I am able to be there.  There’s usually a big sigh and a feeling of peaceful contentment to follow.  Joy!

What am I rambling on about?

It’s how I sometimes feel when I’m out in the wild landscape.  Here, in Tasmania we have some wonderful bushwalks that take us out among the mountains, rivers, a multitude of various types of landscapes.  It’s where I love to be!  Even better if I can stop to sketch (an artists’ equivalent of smelling the roses!).  You may have seen the photos in the last Studio News.

These works are the beginnings of a new series – “Out There.”  It’s a broad theme which leaves my options wide open.  What will develop as I find my way around the ideas? Where will I be led?  Perhaps, in future series things will narrow down a bit and be more specific.

(This first layer could be titled “Into the Blue”! (I got carried away using my new painting wedge.) There’s a lesson there, but I’m not sure what it is? It’s either go slow, or don’t? Things can work out either way it seems.)

These photos show the first layer for two of the paintings.

(I decided to let this one be more random!)

Where to next? Sky shapes were used to define the mountain range. Later, I added more white to the sky.

I felt the urge to draw into them rather than add too much more paint. So, out came the Neocolour II crayons that I’ve had for ages awaiting this precise moment! (They haven’t inspired me much before, so we’ll see how this goes.)

(This is the painting from above after I had a little play with the Neocolours.)

There are five of these long ones (70×30cm) in the group. They’re great to just wander up to, make a few marks and wander off again. That’s one of the benefits of drawing materials … ease of use!

Is this one done yet? Perhaps!?

New Work

“Genesis” is now available on Bluethumb.

“Genesis” 54.5cm wide x 56.5cm high

Until next time and ….. as the sign someone was holding up in our street this week said …… “Keep your chin up”.

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Click here to find out about exhibitions I currently have work in.

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Resolutions in December!

Things have progressed with the “On My Marks” series and it’s time to start contemplating what’s next.  I guess that’s fitting for the new year!

There are eight works at 25 x 25cm and most of them have changed quite a lot from those first marks.

“Switchback”, below, is the most successful I think.  It’s going to be the inspiration for another series shortly.  I like the way I’ve done the sky and the variety of marks and shapes that make up the “land”.

Switchback” 25cm wide x 25cm high

Reactions vary when my arty friends see me working on my art.  It’s interesting to see who likes what and sometimes, I can predict their preferences.  My own favorites will sometimes be different again.  Regardless though, I keep plugging away towards some sort of resolution.

Resolution?  It can be at one of several stages.  I might feel quite unsatisfied with things or I can be comfortable with what I’ve done to varying degrees.  The best result for me is to be feeling excited and inspired to move forward.  There’s a large range of perceptions between the two extremes of unsatisfied and excited!  The “unsatisfying” paintings are set aside, in “halfway hell”,  to be reviewed sometime in the future.  They might get a touch up if I can see something to improve, or they may end up in the reuse box.

This one has been a challenge.  A problem child that wouldn’t cooperate!  It’s going to “halfway hell” but I’m leaning towards using it for collage.

The in-between/comfortable paintings sit, waiting, until I make alterations or come to another conclusion regarding their fate.  Are they done or not?  I have to remind myself that not everything can be “exciting”.  They might still be good enough to send out into the world.

This fellow is one I feel comfortable with.  It’s almost there but I need to think about why that is the case and what I might want to do about it.

The “exciting” ones are offered for sale and entered into exhibitions.  There are only two in this series that feel “exciting” at this stage.  “Switchback” above, at the start of this Studio News, and “Refuge” below.

Refuge” 25cm wide x 25cm high

“Refuge” is one that felt exciting to varying degrees along the way.  I still like it and it’s a starter for exhibitions etc.

Bearing in mind the different opinions of others when deciding these things is fraught with danger.  I need to make the decisions myself otherwise I’ll forever feel uncomfortable about what I do with particular pieces.

I think, putting the doubtful ones aside earlier, rather than later, frees me up to build on what has been successful.  Some would prefer to keep at it, trying to resolve things, but I feel better if I put them aside and move on.  Depending on how far aside I put them, I may review things later and do more!

I wish you all a very happy and enjoyable Christmas and I hope the New Year brings all you hope for along with some nice surprises you weren’t expecting!

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Click here to find out about exhibitions I currently have work in.

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