Get Positive, Throw Caution to the Wind

This blog draft has been hanging around for a while and today I thought I might just do what it recommends!

It’s been a while between blogs and my biggest fan recently asked me what’s been happening! I told her I’m not sure whether to continue or not. Is “it” about the process of making art or composing blog posts? I tend towards making art and not blogs really. We’ll see.

Anyway, to the subject at hand.

Is it always a good idea to throw caution to the wind?

Is it much different to being out of control?

Perhaps you knowingly venture into these new areas. You explore them with more purpose and thought. They aren’t just foisted upon you, directionless, aimless and far too wide ranging to be of real use. I’ve heard it said that exploration with limits is more productive and beneficial.


In favour of the case for throwing caution to the wind the following examples are offered.


Some new toys arrived, two rubbery wedges! Ideas for using them on Google seemed samey and unexciting, so I decided to just slap some paint down on the paper and move it about with them. To allow for maximum chance of some form of success I used a big sheet of paper. It means you can happily scrape and spread paint with large arm movements. It seemed to be using a lot of paint though, but I kept going as some rather lovely marks were happening. My soluble graphite crayon and a spiral stamp got a look in during the creative fenzy too!


It soon became obvious that you need to stop before you make a big muddy mess. Several large pieces of paper later it suddenly dawned on me … I had no idea what to do with them next. “Think about it” I thought …… Nope, no ideas were forthcoming. So, I set out with some white paint on my brush to follow wherever the lines and forms within the image took me. The exercise revealed a landscape and I thought “Ok, I can work with this!”


Throughout my art adventure there have been several memorable points where I seemingly threw caution to the wind. One of the earliest, I think, would be trying a new style of sketching. I’ve previously referred to it in Drivepast Sketching – Our Journey Begins and it was well worth the experiment. From very early on I “knew” that it was going to lead me somewhere new. There was no indication of where, but I could feel it.


This is what turned up, sometime later (below). It’s a mingling of the sketches with things that happened elsewhere in my art. It turned these sketches into something more, something different. It wouldn’t have happened if I hadn’t decided to sketch differently.

Can you see how these feed into the wedgy piece I painted later (above)?


Another early experiment uncovered a way to compose images using the markings on Richea Pandanifolia leaves. (It’s a native plant here in Tasmania and grows at higher, colder altitudes. Look it up and you’ll see why I like it.) Well, this wasn’t an experiment as such initially, more of a stumbling! I had lots of photos of these leaves and I’d spread them out to find what I liked best. The process was a jumble of photos on the table, all overlapping and arranged randomly. Could some of these be compositions to use? Or, could the idea be explored to find compositions? Or both? It was a completely new idea for me and, I think, the first radical move away from traditional landscapes.


I tried it and really enjoyed the process of finding compositions, creating the art and, luckily, I liked my creations. Another similar coloured pencil painting, “Richea Pandanifolia in Focus” features in the first issue of Studio News.

The painting below, “The Landscape Within” is a further development of the theme. I’m wondering now if this idea will come back and take me on another journey. The markings on these leaves are very abstract. Mmmm…..!


Back to the wedges. Putting paint directly onto the painting surface from the tube often results in too much paint to handle. What to do? Oh well, scrape it off? No, it’ll turn to mud! What to do with it then? Why not just slap another sheet of paper on top of it, like a Rorschach image, and see what happens? So I did. It was so insignificant at the time that I didn’t take photos, but this is the result. A little thought, turning it upside down, more mark making and finding the skyline and “Veil” was there. It won an award and sold earlier this year!


Sketchbooks are another place for experimentation and play. You can do whatever you like and no one ever needs to see it. Recently, on a trip away, I decided to sketch as quickly and as minimally as possible. On the same trip I decided to do sketches one on top of the other. Whether these will lead anywhere remains to be seen.


Not to forget the case against.

It’s not always pretty folks and it can be soul destroying, if you let it. There have been many times when experiments have led to abandoning ideas and pieces of paper in the bin, or even in the fire! Some might be kept for collage fodder or for working over later. Sometimes, though, binning a piece is the most sensible way to go. Best if you never see it again!


As far as reuse goes. Often, when you come to reuse these abandoned pieces you are far more likely to “throw caution to the wind” and have a really good go at it.

We just turned the case against into an arguement for telling ourselves, “what the heck” and going with the flow! “Genesis” (below) is a result of just that.


Throwing caution to the wind can be easier in some circumstances than others. It also depends on your mood, but I reckon it’s a habit worth developing. You never know where it will lead and as I’ve found, even your worst pieces can be used to get you into that free state of happy playful creativity.

I wish you heaps of happy and successful creating!

If you would like to view the work I have available please go to Bluethumb.

You can always see what I’m up to at Wendy Galloway Art on Instagram or Facebook.

Art is a Fickle Business

One minute you’re all set to race off in one direction then, something new shows up.  Don’t get me wrong though.  It’s is not a bad thing!

Limiting myself or my art to a particular style seems counter-productive. There”s way too much to do and that’s without any new ideas or discoveries that come up.  The enthusiasm would wane if I imposed limitations on style. Why not take full advantage of unplanned, random “opportunities”?

(“Play things” with a license to be fickle!)

While working on this issue of Studio News, an example of how things can change unexpectedly emerged.

I was processing progress photos of the day’s work and some needed rotating. It turned out that one was better upside-down! In my eyes at least! In the group of four progress shots below you can see the difference. I guess we’re conditioned to see land as darker than sky most of the time anyway.

(Stages 1 to 4 of a current exploration.)

As I pondered, my mind went off on a tangent, automatically brainstorming, the implications and possibilities, as well as how to resolve this painting? This change of direction (literally!) might see me veer off on yet another exciting tangent. I don’t know yet, but I can feel “something”.

It was only a minor fickleness episode but it could change the course of this painting and my art generally. Who knows! It’s a big adventure.

Another painting in the series has shown me something else to investigate. Layer one didn’t cut it, nor did layer two. So I plastered some 3 in 1 paint over the whole shebang. Now I have a background that I really like and it’s asking for something. I don’t know what. It’ll be a waiting game. An incubation period. Another adventure.

(Layers 1, 2 and 3, top to bottom)

Sometimes, it really is difficult to know what to pursue and what to forget. I think the only way to cope with all this fickleness might be to act on impulse. You know, those sudden intuitive directives that say “just do this, or that” or “what if we do this?” Be impulsive and fickle right back, test the fickleness, use it. Trust your judgement and intuition. Don’t be predictable. Instil a little adventure and excitement into the process and let it show.

New Work

“Trackwork” and “Swell” are now listed on Bluethumb

“Trackwork” 40cm wide x 28cm high
“Swell” 68cm wide x 25cm high

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Click here to find out about exhibitions Wendy currently has work in.

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