Enthusiasm is usually pretty high when beginning new work. That was the case with this painting. Let’s see what happened along the way and what seems to have eventuated.
It started with some fun wedge marks using “in your face” Indian yellow. Cheerful, but a bit much all over things eh!
Sticking with “in your face” colour I applied red gold and white, along with some graphite lines. Scratching about to create some texture seemed like a good idea too.
I couldn’t get away from the strong colour so I thought, ok, stick with it. On went some pthalo turquoise and white in a frenzy of mark making. Oh well! That was fun, but mmm? What now?
No! I thought. That’s enough killer colour! So, now, how to deal with it? Easy option …. wedge on some white, not to thickly cover it, but to take the edge off. After that it cried out for some glazing. So, I obliged using a little red gold, not much, and some Indian yellow.
When I say not much red gold I mean only a little glazing-wise, but those stronger lines were added as well. It was a risk I took and I think it paid off. The lines provide a nice structure.
It might be finished (above) but I’m going to wait a short time to see if my completion comfort level changes. It’s a fairly busy painting which feels a little unsettling.
If the painting sits well after a break it’ll be declared done and take its place on Bluethumb. There’s a slight question in my mind about whether to highlight or push back some parts, or perhaps a bit of both.
The beauty of waiting a while is that, usually, as soon as you look at it again, you know exactly how you feel. The break provides a bit of emotional distance and allows you to view things objectively as well as letting your intuition have a say if it feels inclined.
Ok, what’s next?
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